Beyond a basic misunderstanding of our stance on the use of violence (it is only ever the last resort), the part of our program that receives the most criticism is our training methodology.
Silent, slow, and cooperative.
The silent part is easy enough—we don’t want to communicate if we’re training to operate in the place where communication has failed (preparing ourselves for asocial action)—but going slow makes no sense whatsoever. Especially when everyone knows violence actually happens at full speed.
And “reacting” for each other is equally nonsensical; working against full resistance makes much more sense as no one’s going to move for you in the real world. The old, and well accepted paradigm of full-contact sparring is in order—time-tested, satisfying, and in-step with our expectations and understanding of violence.
Except that full-contact sparring ignores both modern innovations in the training of physical coordination and the mechanical facts of successful violence… besides, if no one goes to the hospital, how effective is it, really?
SLOW IS SMOOTH… SMOOTH IS FAST
When we look at the successful use of violence—where one person inflicts debilitating injury on another—we see the same features repeated over and over: accuracy & correctness.
Accuracy means they hit a vulnerable target, not the forehead, not the cheek but precisely the eye. Correctness means they struck with enough force and follow-through to ruin that important bit of anatomy.
If you miss, nothing happens. If you hit, but without sufficient force and follow-through to disrupt tissue, nothing happens. Get both right and everything changes: he’s blind and begins behaving like a blind man with a serious injury.
This is the answer, in a nutshell, for why we train the way we do. We train for the moment where everything changes in your favor—not for the three seconds of chaos before the first real injury. Not for the five rounds of non-specific trauma before the “accident” in the ring. We train to make accidents happen on purpose.
So how best to do that? If we know we must be accurate and correct with the tool at our disposal—our own body—then we must train to wield it accurately and correctly. This is where going slow comes in.
The concept of training rapid-fire physical action in slow-motion is called “deep practice”, and Googling the term will lead you down a rabbit hole of near-endless thought, discussion and application. In music, golf, Olympic weightlifting, shooting, and really the training of any physical action where precision matters and extraneous movement is undesirable or dangerous.
The short story is that deep practice allows you to be aware of every single movement you make—correct and incorrect—and allows you to discard the unwanted movement while reinforcing the movement you do want. This self-correction rewires the brain in a way that tracks directly to rapid-fire, full-speed execution.
Train fast and you make so many mistakes you have no idea how to improve; train slow and the errors occur one at a time and give you the opportunity to trim them off, leaving nothing but the desired sequence of movement.
Daniel Coyle’s book, The Talent Code, is an in-depth discussion of deep practice and its results in many different physical pursuits. I recommend it for anyone still curious after drinking from the fire hose of a “deep practice” Google search.
NO ESCAPE: MOVE WITH THE INJURED MAN
If we have been accurate and correct—if we hit a square-inch of important anatomy with enough force to break it—we inflict a debilitating injury. This is the part where the scrappy furball resolves into one man going from being dangerous and active to helpless and reactive.
When it comes to blunt force trauma, injured people move in response to their injury. Neurologically, organisms move away from negative stimuli—broken ribs and a bruised spleen, a ruptured eye, a crushed groin, a broken joint—the body tries to move the site of the injury away from whatever caused it, in a vain attempt to prevent further injury. (Note that this has nothing to do with pain—pain is entirely subjective while a broken knee is not.)
Also, forces move mass. When you break something inside the man by smashing it with your body weight in motion, you will tend to unbalance and move him. Both of these mechanisms can be seen in action at the moment of injury.
If we wish to train for that moment, then we need to find our target, strike it accurately, follow all the way through with our mass and if we have done that correctly we should expect to see results—our partner’s reaction.
If we train without reactions, we are left with a choice: either nothing we do will “work” or we can actually injure our partner and get one great reaction… and lose our partner for the near future as he goes to the hospital and then spends time off the mats recovering. And comes back, maybe, one eye short.
As we (kind of don’t) like to say at more advanced levels of training: “You can give me a reaction or I can take one from you.”
When we look at real, successful violence we see the results of injury—we want to add those results into our training to give us realistic sight pictures of success. That way we know when we “got it” and it’s time to pile in and finish it, and when we don’t so we know to redouble our efforts (with better accuracy and correctness).
People won’t just move for you, but injured people will move in response to their injury. And we want to learn not just how to cause that injury, but how to take full advantage of it. Modeling the reactions gives us that opportunity to train for that moment instead of being surprised by it.
Taken all together, our counterintuitive training methodology seeks to replicate what we see in successful violence, instead of training to go five rounds or overpower the man we want to “cheat” and do the things that aren’t allowed in competition, or even in no-holds-barred, anything-goes full-contact matches.
We want exactly the eye, with enough purchase and follow-through to tear it out of the skull, and with the other man moving like he’s just lost one of them. The only way to train that is slowly—to lay it in accurately and correctly—and with a partner who’s going to move that eye away from your hand. Anything else is haphazard, dangerous, and preparing you for a terrifying epic battle instead of simple, fight-ending injury.
–Chris Ranck-Buhr
TFT Master Instructor
Addendum: How Slow Is Slow?
Slow enough that you:
- Get everything you want exactly right,
- Maintain your balance, and
- Your partner is able to give you good, clean reactions.
Whenever one or more of these isn’t true, you need to slow down until they’re all back in line. As your skill improves, and that of your partner, you can pick up the pace, but only as long as you’re fulfilling all three criteria. The workout pace is always going to be bounded by the weakest link; if a Cadre Instructor jumps in with a beginner the instructor can get everything they want exactly right and maintain their balance at speed… but that beginner won’t be able to give good clean reactions. So they’d have to slow the pace to match the beginner’s reactions. On the flip side, while the instructor can give good, clean reactions at speed, the beginner can’t work perfectly and in balance at that rate, so, again, the rate will default to the lowest common denominator.
[Tim Larkin note: As Chris mentions, training SLOW is probably the most criticized (yet most misunderstood) aspect of TFT training. All that's about to come to a screeching halt. A renowned biomedical engineer has now published a definitive work on the subject, confirming why SLOW training is crucial to maximize your success in specifically learning TFT (and many other skills as well). Watch for my notes on his research coming soon!]


Thanks
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last night practicing counter punches while stepping backward into opposite stance (southpaw) I was having trouble w timing….so instinctively to get it right I signaled my partner to ‘walk it thru’ and I did it slow…got it.
No questioning the validity of this article.
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Remember to move slowly – intent, correct targeting, transfer of body weight, and rotation of one square inch of your anatomy through that square inch of the opponent’s anatomy “not rated for the traffic” as another of my instructors says, gets you an injury. Visualize the imaginary reaction partner’s movements, and move smoothly through the infliction of your next injury. As you gain experience, concentrate on maintenance of balance, and try to move smoothly and efficiently from injury to injury. Above all else, move slowly.
If you only took a single weekend class, then you probably weren’t shown how to do leg dynamics. Go to the TFT website and find the video lesson on leg dynamics. Working on leg dynamics will really help you develop a sense of balance. Leg dynamics strengthen your leg muscles isometrically. Most importantly, once you become good at leg dynamics, you can effortlessly lower your body weight through those targets.
Another of my instructors told us that when he was first learning, he and another student alternating a 3-hour drive to practice with each other twice a month. If even this is not an option for you, then just practice with the imaginary partner, focusing on precise, slow, controlled motion.
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Nate Rogers
n8orangejuice@gmail.com
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Of course the more experience someone has with it the faster their movements will be. It needs to become “muscle memory” .
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Because of the drive, and the school does not normally teach TFT, we might need to work something out. Check the phone book and my name is Tony.
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I learned Western Fencing several decades ago. My master showed us everything in slow motion, had us pratice everything in slow motion, and over time gradually brought us up to speed. When wielding a sword or knife, my movements are extremely exact, as I was taught, very precise, as I was taught, and the results were extremely fast, as I learned I could do, because learning slow taught me how to totally focus my blade to a tiny point on the opponent! The speed came from not needing to think about how to stike the place I desired. Any place I desired! Any time I desired! As gently or as vigorously as I desired. Leaving me with no fear when I have a weapon in my hand only calmness, because I know who is going to prevail.
So this is not just a great way to learn, it has centuries of practice behind it proving the point! No pun intended.
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Great article Tim. Keep up the good work.
Thank you.
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“Fast is fine BUT accuracy is everything. You must learn to be slow in a hurry.”
Wyatt Earp
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Therefore please check out and let me know your comments on:
http://www.thearma.org/essays/fighting-in-slow-motion.html
Thank you and Best wishes
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I look forward to the upcoming study.
Thanks, and I want to refer a few friends to this page if you don’t mind.
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I consider myself extremely fortunate to have spoken directly with Master Instructor Chris Ranck-Buhr and I do not want to detract from his point.
I also concur that relatively slow is essential to properly learning and executing the techniques of Target Focus Training especially when it matters.
His statement regarding “Slow is Fast” should be a minor tenet in your permanent TFT education .
The Major Tenet being ROTATION, PENETRATION, Cause an INJURY.
I am well versed in applied use of physical force.
TFT is a superior product offered at a bargain price. TFT curriculum is the absolute best product offered to civilians and in a manner geared towards essential retention of information , lightning fast learning curve and your personal success when it counts most.
I can not overstate this. The instructors of TFT are Masters of the application of the science of human control when force is necessary .
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Keep on prompting us.
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Present this article to your classes and discuss it.
The slow training is something that needs to be practiced over and over again and LEARNED, just like a punch or a kick or other exercise, in order to learn it effectively.
If myself and my partner are out of control and going to fast for comfort. We simply stop what we are doing and slow it down, waaaaaaaaaay down, until we ared satisfied everything is going perfectly, just the way we want it.
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I do remember one Instructer that was as that class, at the time he had a neck braise on.He use a pair of shoes for training.The manual has the leg work in it
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In an asocial situation, you would do the knee drop at 32 feet per second squared and you would direct your knee to hit your chosen target. Then you would “get up, turn your back, and walk away.”
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Or is the adrenal stress response of little significance?
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That being said, I just wanted to comment that I have always thought and practiced slowly in most everything I do, I have found (for myself anyway) that I was able to workout and practice twice as much as most people,
Reason is by doing everything in slow motion I am able to remember more, then it is easier for me to layback close my eyes and having another workout by going through everything I had done that afternoon over and over and over in my head,
I found if I felt like making the techniques faster I could do them in my head,
I believe I will continue to practice this way because if I messed up in real practice like I mess up so easily by speeding up the moves in my head myself or my partner would be spending more time recovering than learning or running out of body parts to practice on.
So thanks for everything and keep up the good work I’ll be looking foward to hearing more.
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Where I think TFT get criticized is that the style goes against other Reality Based Self Defence methods. I’m sure you’ve seen some. With dissarms, boxing punches and full head cover blocking, I’m sure you know what the other guys are teaching. So when some one sees TFT the odd one out. They spot the most obvious difference and bring that up.
Besides all that was said and the fact it reduces unintended injuries. Going slow weeds out the macho testosterone nature of martial arts and fighting. This brings it all back to the fact TFT is self defence and not about kicking ass. And that is some thing I respect about TFT.
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I grew up competing in rodeo as a calf roper.
It is the most technical of the events, where many things can go wrong in just seconds.
35 years ago, the guys that instructed me had a saying when we practiced; “go slow to be fast”.
They understood the concept you’re talking about back then.
Since then, I’ve used this concept as an instructor in several sports.
Another great article from TFT.
Thanks,
Tim
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It was one of the first things I had to learn in TFT training. I was all over the place to begin with and going 300 miles per hour on top of it. This simply will not do.
It’s the same with playing and practicing my guitar, for example. The very tip of my fingers must touch the guitar string in an incredibly slow fashion (40 bpm, one note at a time, to start with), not only in order to get the precise note I want, but also to set my other fingers up to make their next move on the fretboard.
TFT is literally no different. One works to pin-point the target to be destroyed and follows through the target until desired result is acheived.
Slow training has saved me so many bloody problems in life and in training (for just about anything) that I really can’t even remember what I did before I started the practice. I wish I would have learned this stuff at age two. I can only wonder how much time knowing this material could have saved me all these years.
Thanks to the crew at TFT for stressing the hell out training slow and writing intensely about it.
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thanks for the link to “Talent Code”.
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